<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>PortfolioArchivs on Arian Wichmann - Sprecher &amp; Schauspieler</title><link>https://sprecher.arianwichmann.de/en/portfolioarchiv/</link><description>Recent content in PortfolioArchivs on Arian Wichmann - Sprecher &amp; Schauspieler</description><generator>Hugo</generator><language>en-GB</language><lastBuildDate>Mon, 31 Jul 2017 00:00:00 +0100</lastBuildDate><atom:link href="https://sprecher.arianwichmann.de/en/portfolioarchiv/index.xml" rel="self" type="application/rss+xml"/><item><title>Kohlhaas</title><link>https://sprecher.arianwichmann.de/en/portfolioarchiv/kohlhaas/</link><pubDate>Mon, 31 Jul 2017 00:00:00 +0100</pubDate><guid>https://sprecher.arianwichmann.de/en/portfolioarchiv/kohlhaas/</guid><description>&lt;p>Kohlhaas, an honest citizen, is treated badly. Determined to defend himself against injustice and state arbitrariness, he presses charges. He waits in vain for redress. Driven by rage and despair, he unleashes a stampede for justice. But Kohlhaas is not only a victim, his desire for revenge also turns him into a cruel perpetrator. At the end of his journey is his own death and that of many innocent people. Wars and revolutions, upheavals and political decisions always affect the weakest members of a society. Those who have no lobby are sidelined. Heinrich von Kleist&amp;rsquo;s mesmerizing tale is one of the most fervent fantasies of violence in German literature and is still relevant today.&lt;/p></description></item><item><title>Nathans Kinder</title><link>https://sprecher.arianwichmann.de/en/portfolioarchiv/nathan/</link><pubDate>Mon, 31 Jul 2017 00:00:00 +0100</pubDate><guid>https://sprecher.arianwichmann.de/en/portfolioarchiv/nathan/</guid><description>&lt;p>In the Luther Year 2017, questions of faith and their significance are more than ever at the center of many unresolved problems. “Nathan&amp;rsquo;s Children” by Ulrich Hub, in his free adaptation of Lessing&amp;rsquo;s ‘Nathan the Wise’, is set in Jerusalem. It is no coincidence that the author chose this city in Israel. There is hardly any other place in the world where all three world religions - Judaism, Christianity and Islam - live so close together. The stage is an abstract space in which everyone has to meet everyone else.&lt;/p></description></item></channel></rss>